plaidadder:

sarahthecoat:

lyndsayfaye:

This is seriously one of the best moments in the entire Granada series. Violet Smith is traumatized and forced into a marriage ceremony with a complete villain in a thinly veiled rape scenario, all because the master of the house where she was working as a governess fails to tell her of the scheme to defraud her of her inheritance—his argument for not apprising her of the serious possibility she might be assaulted (indeed, she was already attacked once) is that she would have returned to her fiance and given up her position, robbing him of the chance to interact with her.

The dialogue here is almost verbatim from the canon with small shifts to modernize the syntax; Holmes demands to know why Carruthers didn’t warn her about Jack Woodley, and then Watson brings the full smackdown with “That might be love for you, you notorious asshat, but for me, that qualifies as full metal dickishness.”

Look at the last two gifs—Burke is speaking, and delivering the lines brilliantly, but meanwhile, Brett is murdering Carruthers with his eyeballs.  It’s so brilliantly satisfying because even though the fair sex is Watson’s department, if you want to piss off Sherlock Holmes, try mistreating a lady.  Try it.  Go ahead, claim to fall in love with a beautiful musician and then stalk her on a bicycle.  Brett’s acting here, the utter disgust and disbelief, is wonderful. 

Remember, this is the guy who threw himself off a waterfall, probably so that *cough cough* certain people would no longer be in danger.  If you explain love to him as “I just wanted them near me no matter the cost to that person,” daggers—in this case Jeremy’s daggers—will shoot from his irises.  No matter whether you posit Holmes as ace, straight, or queer, it’s wonderful here to see what love means to him.

YES

I am reblogging this just for the phrase “murdering Carruthers with his eyeballs.”

sabotabby:

tinfoilrobot:

prydon:

post-scriptvm:

prydon:

i still can’t believe there’s an entire serial of doctor who where the villain is a guy who looks exactly like the doctor except sexier and more evil and it was missing from existence until 2013 like thank you so much person who found enemy of the world in a cupboard in nigeria i owe you my life

Wait what

this is ramon salamander, played by patrick troughton, who is the main antagonist of the doctor who serial the enemy of the world.  the serial was almost entirely missing from the bbc archives until it was found in nigeria in 2013.

[ID: Patrick Troughton as Ramon Salamander smoking a cigar.]

OMG it was so good whoever found this is a hero.

[…]  Here in my spheres of the Internet, it’s funny how everyone shares this idea that WRITING = fantasy and science fiction, that WRITERS are people who get loads of money to publish their space elf stories. I think we all found each other here and now because we share these roots of being The Bookish Children, who aspired to be Tolkien or Adams when we grew up, and I think that’s great, and I’m so glad we share all this.
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It’s weird, though, how our Writing About Writing then tends to be about fiction. And fiction is such a strange market, a really weird beast. I think that a lot of this post applies to fiction writers in a particularly toxic and demoralizing way but it’s also very true in nonfiction writing.
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As a kid you have all of these… IDEAS about nonfiction writing. That your textbooks and news stories and magazines and adventures and dictionaries and everything are prepared lovingly and truthfully by experts. Edited and approved by some great authority. It isn’t Authors or Writers who create this stuff; you don’t want to grow up to be them; they are oracles, not celebrities. There is still this perception that nonfiction is handed down benevolently, like stone tablets from God.
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And the truth of it is that nonfiction is handed down by whoever met the deadline first. These were generally not The Bookish Children whose Daydreams Finally Took Fruitful Wing. These were the ones who believed Terry Pratchett when he said “If you trust in yourself…and believe in your dreams…and follow your star…you’ll still get beaten by people who spent their time working hard and learning things and weren’t so lazy.”
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The truth is, natural talent attracts a certain magician’s-flair attention, but that the Content Machine is starving, and it gobbles up sparkly cupcakes just as fast as it gobbles up plain bread. The news cycle turns over. Nobody’s reading it carefully, thinking of the children, setting words to flake and texture against each other just so. They’re thinking of Wednesday. They’re afraid they’re about to be found out as Mediocre, and if they miss another deadline they will get the Raised Eyebrow.
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Talent is a pony you can ride for 3000 words, but when your job is 10,000 words a week then you need a fuckin trained warhorse that puts its head down and carries you stolidly through a battlefield of distractions and doesn’t listen when you try to steer it otherwise.
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So you get this dichotomy in Writing about Writing, where in Fiction Writing you’re encouraged to build an elaborate fairy grotto and arrange the correct pencils in pretty Mason jars to attract the attentions of a Muse, and then do a bit of performance art where you try to market yourself while also being very humble and modest – it’s not very evidence-based, is it? And in Nonfiction it’s just THROW WORDS AT THE PAGE UNTIL THEY STICK! THROW WORDS AT THE WALL – THROW WORDS AT YOUR MOTHER. THROW YOUR MOTHER AT THE WALL. FUCK FUCK BALLS THEY’RE SLIDING OFF!! FUCK HAND ME THAT CONCLUSION WE’LL NAIL IT INTO PLACE AND PAINT OVER IT AND IT’LL KIND OF… CRUST OVER. THIS IS CRAP, IT’S THE WORST THING I’VE EVER MADE, SEND THE FUCKER OUT THERE YES GOOD DONE.
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And the Nonfiction gets written, every damn day, thousands of words, filling up the Internet, bringing the news, coming through the radio, teaching the children, adorning the museums, educating the people, telling the truth, selling the product – it gets out there. But don’t think it isn’t creative, powerful, coming from some essential source – its pedigree is just as potent as fiction’s. This post may be terrible, but it has warhorses and cupcakes and all sorts of strange and alarming imagery. And most of nonfiction writing isn’t good. Most of it is workhorse, mediocre, bringing the truth to your mouth – some of it’s terrible. This certainly is.
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And you didn’t notice. You noticed it was there.
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Maybe try writing fiction like you’re writing nonfiction. Maybe it will help.
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-elodieunderglass

@elodieunderglass – such a fantastic response to this quote (originally a quote from Megan McArdle in an Atlantic article titled ‘Why Writers Are The Worst Procrastinators’) that i had to give it its own quote. (via redshoesnblueskies)

Oh that’s so kind of you! These words are several years old, and I usually feel ashamed and horrified by stuff of that vintage resurfacing. But I checked, and this is still okay 👍

It’s messing people up, this social pressure to “find your passion” and “know what it is you want to do”. It’s perfectly fine to just live your moments fully, and marvel as many small and large passions, many small and large purposes enter and leave your life. For many people there is no realization, no bliss to follow, no discovery of your life’s purpose. This isn’t sad, it’s just the way things are. Stop trying to find the forest and just enjoy the trees.

Sally Coulter (via jasfuckinq)